When they reached the door, the knob was cold, and it wasn’t “eightish.” It was 9:37 p.m. She was surprised that she hadn’t stayed later on purpose. What had taken the most time was talking with the class coordinator at the art center. She was positively thrilled to have a volunteer instructor signing up.
“So many people want part-time gigs right now with the economy, you know.”
The woman at the desk leaned toward the office window, inviting the new teacher into her tedious chinwag.
“If you ask me, it’s usually just an ego boost for the prima donnas who never made it.”
The short, chubby woman wore too much rouge, but she was attractive, radiating the same kind of quirkiness that trinket shop owners in American tourist trap towns label as “sass” or “creativity” that is expressed in multi-colored reading glasses, spunky short haircuts, excessive eye makeup and bauble-wearing, and an inexhaustible admiration for Joni Mitchell and Emerson Lake and Palmer.
These kinds of women always have mints or chewing gum, she thought, as she allowed the talk to pass beyond her face and float toward the gargantuan local impressionist painting behind her. She tried to listen or empathize, but all she really wanted to do was get upstairs to check out the mirrors and see if they really had a decent practice space. Continue reading “Breaking, from “The Fault””