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Note: The last three paragraphs of this article were appended after the first posting.

My father’s pale arm hung out the window and he leaned over to dump his sunflower seed shells from the day’s damp Styrofoam cup. He saved emptied McDonald’s cups of coffee and stored them in the console until he got too tired to drive without resorting to his one physical vice. He didn’t smoke or drink: he ate sunflower seeds and listened to conservative talk radio that drove my mother nearly insane.

He told my brother and I that we still had 10 miles to go and that we’d see it very soon.

We were taking one of his budget option day trips in the middle of Iowa. One year, we’d visited Dyersville, Iowa, where Field of Dreams was filmed. We tossed some balls on the recreated field and bought a few souvenirs. I still have a baby blue comb from the barbershop on the property. That same year, we visited the Ertl toy factory to see how toy tractors were made.

Out my window, everything looked about the same. Green corn and soybeans woven and rearranged waved almost imperceptibly in the August heat. As we passed, Dad pointed out how each farm and small town had changed, the big tee-pee in Pocahontas, and the drive-in he frequented when he was 19 with a girl named Cheryl or Betsy.

When we got to town, he asked an aged darling, plump pink and platinum blonde, how to find where Buddy Holly died. The woman bore no accent save for the Minnesotan giveaway of locked teeth and barely moving lips.

“It’s about a mile or so thataway. My husband and I moved here about a year ago, so I’m not too sure what crops they have planted this year, but usually it’s this one row where they don’t plant anything. I think it’s corn on one side and soybeans on the other to make it easy.”

Dad parked on one side of the narrow highway at first. That made mom nervous of the semis that swung too close to where we’d be opening our doors. When she wouldn’t quit clutching her door handle, he chanced pulling into a dirt driveway a couple hundred yards further down.

It was exactly where the woman’s instructions said it would be. About a quarter-mile down the green funnel along the path were old gum wrappers and a few apple cores tossed to either side of the dirt trail. A ponytail holder with fuzzy blond strands still wound tightly to the metal clasp had been wrapped around a cross made of dried corn stalk.

We wouldn’t have known where to stop, but there was a small clearing with a lame excuse for a monument. Don McLean wrote of the “day the music died” in a long unbearable song. It was one of those songs like “The Lonesome Death of Hattie Caroll” or “It’s the End of the World as We Know It” that people memorized just to prove something on karaoke night. Because of that and watching Gary Busey in The Buddy Holly Story at least ten times, I thought seeing where Buddy Holly died should have been a bigger deal, but the Iowans mustered up this pathetically thin stainless steel plaque of a guitar and three grooved records.

Without wood to carve names, dates, or any obscene triumphs, students left old community college ID cards, Wrigley’s gum wrappers without anything written on them, and some hastily scrawled notes on ripped up legal pad paper and old receipts. There were earrings, small plastic Happy Meal toys mottled with dirt, and pennies green from a season of rain. Aged twine tied hung off the neck of the memorial guitar structure in half-braids. Someone left a condom. It looked like a rotting burst balloon, a crude castaway unashamedly expiring in the sun. My mom stood with her arms across her chest, not saying anything but thinking it was strange and disrespectful.

Kneeling in the clearing, I fingered the plastic daisies by the crash site. None of these mementos had anything to do with Buddy Holly or Ritchie or The Big Bopper. Although I was disgusted with the collection of garbage, I still felt like I had to leave something, but I had nothing that would stand out among trash. If I left anything, it would seem more of a dishonor than a tribute.

A sticky Dum Dum stick stuck to the knee of my dirtied pants.

While I was prying the stick from my jeans, my dad spoke.

“This really is out in the middle of no-where,” he said. “You really couldn’t find this without having talked to somebody.”

Then, I wished I had something yellow, something suitably sad and unremarkable. Yet I had nothing. Thumbing a large fake silver coin keepsake from the Ertl toy factory in my pocket, I considered tossing it but clamped it in my fist.

“Well, what do you think? Are you ready to go?”

He rolled up the city guide that provided a history of the fateful night. The program’s corners curled from sweat coming off his thick-chapped hands. Already a wet line was spreading in a thick shade of dark mossy green where the bill met the crown on his grimy baseball cap.

“I’m ready,” I said.

I turned around, and the waves of grain rustled behind me as I walked toward the car. We drove back through town and saw the Surf Ballroom pass by quickly and fall from sight. In the car, I tried to find a feeling, but the site was neither glamorous nor educational. Although it was intentional, it wasn’t a monument. It was where they landed.

I’ve been trying to write about the feeling of this day for years, but it’s been mixed up because now that my father is dead, I think about how he is buried 80 miles away from that obscure American remembrance. None of his children have seen his headstone in person.

Although he died in Ohio where he’d been living since 1992, he wished to be buried near his family’s farm. He died in November when the ground was too cold and hard to break, so they waited until spring when all of us had already returned to our respective parts of the world. None of us have ever returned to Iowa to lay so much as a flower on the ground where he rests next to his parents. Not one of the three women he married will ever sleep beside him either.

I remember the tiny cemetery where my grandparents were buried. Old trees separate the small plot from the corn. Some days when I remember him driving, I hear him spit into that horrible cup in the middle of a story about someone we need to visit on the way home when we pass through Moline. Tonight I walked to the table to ask him which relative that was and realized I can’t call him. I know he’s not in the middle of nowhere, but I certainly feel like it sometimes.